{"id":98,"date":"2022-06-10T14:48:00","date_gmt":"2022-06-10T14:48:00","guid":{"rendered":"https:\/\/sites.glos.ac.uk\/spatialaudio\/?p=98"},"modified":"2024-05-30T09:53:04","modified_gmt":"2024-05-30T09:53:04","slug":"day-1-thursday-16-june-2022","status":"publish","type":"post","link":"https:\/\/sites.glos.ac.uk\/spatialaudio\/2022\/06\/10\/day-1-thursday-16-june-2022\/","title":{"rendered":"Day 1: Thursday 16 June 2022"},"content":{"rendered":"\n

Welcome<\/h2>\n\n\n\n

Welcome talk and guide to the day<\/p>\n\n\n\n

Session 1 – presentations<\/h2>\n\n\n\n

Start time: 10.10am<\/strong><\/p>\n\n\n\n

Title<\/th>Participant<\/th><\/tr><\/thead>
Immersive Fields<\/td>John Best \/ David Shepperd<\/td><\/tr>
Aural Gallery<\/td>Benjamin Koziczinski<\/td><\/tr>
MONOM presentation<\/td>Stefanie Egedy (online)<\/td><\/tr>
Q&A<\/td>Chair: Tim Land<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

10.55am – 11.05am – Refreshment break<\/strong><\/p>\n\n\n\n

Session 2 – presentations<\/h2>\n\n\n\n

Start time: 11.05am<\/strong><\/p>\n\n\n\n

Title<\/th>Participant<\/th><\/tr><\/thead>
Spatial awareness: helping journalists to work with spatial sound<\/td>Abigail Wincott<\/td><\/tr>
(Re)Listening<\/td>Rachel Heavey<\/td><\/tr>
From Listening to Playing: An Idiosyncratic Spatial User Interface in Web Audio<\/td>Marcel Sagesser (online)<\/td><\/tr>
Trends in Gestual Spatial Control<\/td>Kasey Pocius<\/td><\/tr>
Q&A<\/td>Chair: Abigail Gardner<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

12.00pm – 12.10pm – Refreshment break<\/strong><\/p>\n\n\n\n

Session 3 – presentations<\/h2>\n\n\n\n

Start time: 12.10pm<\/strong><\/p>\n\n\n\n

Title<\/th>Participant<\/th><\/tr><\/thead>
INNovating: Community Drama as Site-Specific Immersive Soundscape<\/td>Kate Valentine \/ Matteo Falco<\/td><\/tr>
On Aural Selfies<\/td>Iain Findlay Walsh<\/td><\/tr>
MICRO PRESENTATION: Transformative Encounters? Racism and the Sonic Representation of Stephen Lawrence’s Story,<\/td>Tahera Aziz<\/td><\/tr>
Q&A<\/td>Chair: Philip Reeder<\/td><\/tr>
PUBLICATION OPPORTUNITIES: Matthew Lovett will overview the publication opportunities with Routledge and IJCMR<\/td>Matthew Lovett<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

1pm – 2.10pm – Lunch<\/strong><\/p>\n\n\n\n

Session 4 – listening – playback performance<\/h2>\n\n\n\n

Start time: 2.10pm<\/strong><\/p>\n\n\n\n

Title<\/th>Participant<\/th><\/tr><\/thead>
Mmabolela<\/td>Nikki Sheth<\/td><\/tr>
Proteus<\/td>Gordon Brendan Delap<\/td><\/tr>
Back to the Ocean<\/td>Jiajing Zhao<\/td><\/tr>
Embodied Cinema<\/td>Christian Duka<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

3.10pm – 3.30pm – Refreshment break<\/strong><\/p>\n\n\n\n

Session 5a – listening – Dolby Atmos<\/h2>\n\n\n\n

Start time: 3.30pm<\/strong><\/p>\n\n\n\n

Title<\/th>Participant<\/th><\/tr><\/thead>
Returns EP<\/td>Philip Reeder<\/td><\/tr>
T\u0259\u028al – How the sunken bell of the Elan Valley inspired immersive music experience<\/td>Stuart Jones<\/td><\/tr>
Q&A<\/td>Chair: James Shannon<\/td><\/tr>
Q&A Dolby Atmos workflows with James Shannon (limited capacity)<\/td>Chair: James Shannon<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Session 5b – listening – Dolby Atmos<\/h2>\n\n\n\n

Start time: 3.30pm<\/strong><\/p>\n\n\n\n

Title<\/th>Participant<\/th><\/tr><\/thead>
Distance<\/td>Tom Spice<\/td><\/tr>
Standing Sound<\/td>Miles Warren<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

4.30pm – 6pm – Refreshment break<\/strong><\/p>\n\n\n\n

Session 6 – live performance works<\/h2>\n\n\n\n
Title<\/th>Participant<\/th><\/tr><\/thead>
Shirley Dawn<\/td>Laura Selby \/ Yueshen Wu \/ Amy Cutler<\/td><\/tr>
The Lorenz Factor<\/td>Adam Parkinson \/ Justin Randell<\/td><\/tr>
Subjective Spatial Colour<\/td>Lewis Wolstanholme & Francis Devine<\/td><\/tr>
System Check<\/td>Ben Hamid<\/td><\/tr>
On Creating Performative Microcosms<\/td>Jake Mehew<\/td><\/tr>
Evergreen<\/td>Richard Pike (aka Deep Learning)<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Fixed works – all day<\/h2>\n\n\n\n
Title <\/th>Participant<\/th><\/tr><\/thead>
Hearing the Space of Personal Listening: Five Aural Selfies (binaural)<\/td>Iain Findlay Walsh<\/td><\/tr>
Innovating: Community Drama as Site-Specific Immersive Soundscape<\/td>Kate Valentine<\/td><\/tr>
Transformative Encounters? Racism and the Sonic Representation of Stephen Lawrence’s Story,<\/td>Tahera Aziz<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Spatial live performances<\/h2>\n\n\n\n

Start time: 6pm<\/strong><\/p>\n\n\n\n

Spatialised live performances and AV work on the d&b audiotechnik Soundscape system.<\/strong><\/p>\n\n\n\n

Featuring:<\/p>\n\n\n\n