| Ed & Ad
| Ed & Ad
This series of images for my personal portfolio follows my mum and her dog boarding and day care business at home. I explored how the Corona virus affected my mum’s business and the dogs. Coming into this module I wasn’t…
This is a documentary of my family home whilst in lockdown. I wanted it to be as natural as possible, so I decided to use my iPhone 7 to take and edit these images. My biggest inspiration for this piece is Stephan Shores…
Scott was featured in a earlier blog post and he has recently been back in touch with some exciting news. I have managed to get myself a years contract job working for a global NGO based in Thailand as a…
This is a portrait of Julian – known to his friends and family as ‘Jinxy’. He is the Head Greenskeeper at Dinas Powys golf Club, overseeing the upkeep and general maintenance of the course, used by professionals and amateurs golfers.…
Scott Brindle is a documentary photographer, since leaving the Editorial and Advertising Photography course he has been working on becoming a freelance Humanitarian photographer. Scott has worked for NGO’s of all calibers, on projects in Africa and Palestine. In this…
This is a a series of photographs taken in May, 2019 on East Hasting’s Street and it’s surrounding areas in Vancouver. This personal project is still a work in progress and is my first delve into Street/Documentary Photography. The purpose of…
These three images taken were in response to the Personal Portfolio module. I am interested in social documentary photography and for this series I wanted to explore the theme of mental health and well-being which has always been a topic…
“Here I have two images from my series titled ’19 Penygraig Road.’ The series focuses on my grandparents in their home in the Rhondda Valleys. Through a combination of still life images and natural portraits, my aim was to capture…
Work from first year Zak Usowicz. “During the summer I visited London, to photograph luxury supercars as part of my ongoing documentation of the changing economic landscape of the capital through the ownership of such obvious demonstrations of extreme wealth.”