| Ed & Ad
| Ed & Ad
This is a series of images taken during the Summer on location at Wychwood Wild Gardens in Oxfordshire. I was asked to take some images by Julie, the owner and instructor who runs pole and hoop classes in the Cotswolds. She was…
Music Photographer Adam Chandler’s work spans, music portraiture, live music photography, band promotional work and explores subcultures that exist within different music genres. Here, Adam talks about his most recent success in the Heavy Music Awards 2019 Young Photographer of…
This is the second in a series of Editorial and Advertising Graduate Features. Photographer & short film maker, specialising in cycling photography, Alex Duffill, who graduated in 2018, answers questions about his time on the Editorial and Advertising Photography course,…
This is a a series of photographs taken in May, 2019 on East Hasting’s Street and it’s surrounding areas in Vancouver. This personal project is still a work in progress and is my first delve into Street/Documentary Photography. The purpose of…
I am a Style portrait photographer currently pushing to experiment within my area of specialisation in order to explore all areas in which my work could sit. These images were recently shot as personal work whilst conducting a test shoot…
These photographs are just a few of the promotional images created for Bar Padron. This was a hugely enjoyable photoshoot, the food was not only delicious but beautifully presented. I am delighted that a selection of my work has already…
Work in from second year Ria Whitehead. “I was inspired in creating this work by photographer Magnus Cramer, who creates images for high-end cosmetic brands. During the course I am hoping to continue to learn and improve my skills within…
Work created over the summer by first year David Shickell. “These images were created for a friend, who wanted headshots to approach modeling agencies. A talented make-up artist was a mutual friend, so between the three of us, we took inspiration…
Work from first year Zak Usowicz. “During the summer I visited London, to photograph luxury supercars as part of my ongoing documentation of the changing economic landscape of the capital through the ownership of such obvious demonstrations of extreme wealth.”